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At the Museum

In China, there are an extraordinary number of museums. I recently visited the Zhejiang Art Museum in Hangzhou on a Sunday, and it was packed.  There’s something deeply reassuring about seeing people visit museums. I can’t quite put my finger on it, but each time I watch someone step into a space dedicated to art, it fills me with a sense of hope for humanity. Perhaps it’s the simple act of taking time for contemplation that makes me feel like we still care about beauty, reflection, and our connection to the past. For me, visiting a museum is more than just a casual pastime: it nourishes me. Every time I leave, I feel invigorated, as though something inside me has been reignited. It’s almost a physical sensation, similar to how I feel after a good massage. My blood flows better, my mind feels lighter, and my body straightens up. I walk with my back a little straighter, as if the weight of the world has lessened. The world outside the museum appears more serene, more humane, as though the act of seeing art has soothed the edges of everyday life. Being in an art-filled space reshapes how I engage with

Photography and Reality

Photography has long been considered a window to reality, a tool capable of capturing the tangible world and leaving behind a visible trace. If we think about it, every photograph is like a footprint: just as an imprint in the mud tells us something about who passed through that place at that moment, but a photograph is able to captures an infinite amount of detail, giving us the feeling of preserving and communicating not just the instant but an entire story. However, the landscape of photography is rapidly changing. With the rise of AI-generated images, this direct link between photography and reality is being questioned. As once Joan Fontcuberta noted, “Photography was born in the 19th century as a tool for verifying reality: what was photographed was real. Today, that function of reality authentication belongs to Google, and depending on the number of responses and how convincing they are, we come to believe it or not. But just as a photograph can be manipulated, so too can Google.” This parallel between photography and online searches highlights how, whether in photographic images or digital information, truth can be easily constructed and falsified. “What is the first step of a forger today?”

The Rhythm of Thought: Still Walking in Palermo

Ever wonder why a simple walk can lead to the best ideas? It’s an age-old Italian practice—the post-dinner stroll, or those spontaneous steps taken to share a moment or a conversation. For Italians, this is more than a leisurely activity; it’s a mental reset, a way to let thoughts flow as freely as the movement of your legs. Science backs this up. Stanford University’s research shows that walking can boost creative output by an impressive 60 percent. The American Psychological Association concurs, noting that walking stimulates the creative process, allowing the brain to wander and leading to those eureka moments. Now, imagine this: Palermo. A city designed for walking, where every turn and narrow alley feels like an invitation to get lost and find something unexpected. This city isn’t just a backdrop—it’s a participant in your stroll. Its labyrinthine streets and charming piazzas make each step a discovery, each moment a chance to pause and think. Unlike the vast, impersonal sprawl of modern cities, Palermo offers a human-sized experience. It’s a city where walking isn’t about navigating through a concrete jungle but about engaging with history, culture, and your own thoughts. This isn’t romantic nostalgia; it’s a lived reality. In

Potion Lane

A book about a captivating Shanghai compound, an intricately woven plot that unfolds within a prestigious residential complex in the vibrant Chinese metropolis.

Through the pages of the book, readers will immerse themselves in a world rich with contrasts, to discover the hidden soul of Shanghai.

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